Archive for category Choice

I Want to Believe

i-want-to-believeI’m terrified of flying. Very likely, this is the reason I haven’t stepped foot on a plane in the last decade. I used to be pretty good at flying, on planes or otherwise. I’d close my eyes and dive forward, into open air. Those were the days when I was pretty good at swimming, too. I never cared about freefalling back then. Or maybe I cared so much I couldn’t contemplate the fall.

I’m about to step into open air. The cliff I’ve been standing on is starting to give way, and anyway, my feet are itching for a change. They’ve been cooped up, stranded, left-behind for some time now. And I have this little boy constantly dancing around me, daring me to join the hurricane swell that is his life. What can I do? What choice do I have but to leap?

Of course, I have many choices. I don’t have to leap. I could stand still. I could fall. I could fly. Perhaps it’s not so much a matter of choice as it is a matter of faith. Neo doesn’t become the chosen one until he believes he’s worthy of being chosen. Am I worthy? Like Mulder, I Want to Believe. Oh, but what tricky, fragile feathers faith and belief can be! I can’t just “buy some” as Jack would have me think. I can’t order them up at a diner counter or glue them to my arms like a child’s art project. Faith comes in steps, not in leaps…and then, suddenly, you’re leaping. You’re flying without even realizing that you’ve left the ground. This is what’s so amazing about faith: it’s only a burden to carry when you’re not actually carrying it.

Last week, while Jack and I stared up at yet another plane that had captured his fancy, I found myself saying, “Isn’t it amazing that they don’t fall down?” Jack ignored me, and I’m glad he did. I hope his faith is so much stronger than mine that he can ignore my moment of faltering. I’d feel terrible if he tucked that nugget away and pulled it out later as full-blown doubt. After all, he is worthy. I suppose if he does remember my doubt, I’ll have the advantage of life on my side. By then, I’ll have taken a few more steps and seen a few more planes. By then, I hope to have learned that planes don’t fly by magic but by a series of physical laws. We fly in stages, I’ll tell him, not just by sheer will. I know these truths as fact. One day, I hope to believe.

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One of the Boys

Katy PerryI’m one of those psychoanalysis junkies who never really believed in penis envy—until now. In college, my feminism professors made gender politics seem so clear-cut, as if there existed a definable, external war and I merely needed to choose a side. And if I chose the right side—the side protecting women’s rights—I’d never have to choose again. I could have it all: a fast-track career, motherhood, myself. Really, there was no need for a penis, because the vagina was much more comprehensive. I was still a girl then—a million years away from becoming a mother—and the world seemed my (vaginal) oyster. Remember that song, “What It Feels Like for a Girl?” In it, Madonna never mentions what it’s like to be a woman.

A decade later, I’ve been knocked up, wrung through labor, and delivered into motherhood. I know what it feels like to become a human milk machine and a radio transmitter of baby cries. Gone are the gender-neutral schoolbooks and notepads, and here to stay (for a while, at least) are the mothering blogs and grocery lists. The capacity to give birth is extraordinarily empowering. It’s also equally disempowering. Unlike men, I can give birth. Unlike the gods, I can’t control most things about that birth or about the baby who is born.

Lately, consumed by this role of Mother, I find myself craving some of the things I see displayed on the other side of the fence. As evidenced by this blog, I’ve been gravitating toward male role models and masculine movies. For the first time in my life, I feel drugged by masculine energy. I’m as thrilled as my son to spot the latest digger truck, and I’d give anything to trade my apron for a suit, briefcase and cigar. My experience is especially polarized because my particular offspring happens to be a boy. Through my intense identification with him, I seem to be losing track of my internal girl. What do girls like? God, if I remember. The only world I see is the one of cars, trains, balls, and the occasional dinosaur.

It’s not exactly that I want a penis. And honestly, I think the cigar would get old after one puff. Really, I’m just a little tired of having a vagina. My womb—long tied up with the birth of Jack and now overcome by the birth of a new self—is a little worn-out. More than anything, I’m desperate for a little balance. Even the male role models I’ve recently lionized—Adam Lambert and Roger Federer—are androgynous figures more similar to Madonna than they are to Rambo. Adam Lambert, from his sexuality to his style of dress, celebrates all things ambiguous, and Roger Federer swiftly puddles into a flood of tears—joyful or anguished—every time he steps on the court. Secretly, I wish to be like these feminine men: powerful and potent masculine forces who embrace every ounce of their feminine selves. Honestly, I’d even ditch the masculine dynamics if I could just get the feminine ones straight; although I’m the one with the vagina, Adam Lambert more proficiently applies make-up, and Roger Federer more comfortably transmits his deepest emotions.

After all of these years, I’m still looking for tidy answers to complex problems. The world I’ve graduated into isn’t nearly as simple as the one I read about in college. The truth—terrible and painful and sometimes downright intolerable—is that I can’t have it all. I have to choose. If I have another child, I will have to castrate (at least temporarily) the potency of my writing. If, on the other hand, I pursue my writing to the exclusion of another child, I will lose the opportunity to enjoy the full power of that beautiful womb a second time. Even if I find a way to balance both roles, each will be a compromised version of a more complete experience. All just isn’t a choice. I cannot be a woman and a man, a mother and a father, a full-time writer and a full-time mom.

I’m not sure what kind of woman and mother (and man) I will eventually evolve into. I’m not sure what choices I will make. In the mean time, I think I will try to find some female mentors—androgynous gals who sometimes feel like one of the boys. Katy Perry is a good start. Of course, she’s not a mother. I guess I’ll just have to forgive her for that. It’s so hard to find everything in one person, in one body, in one lifetime.

One of the Boys

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Sirens

SirensWhen Jack was four months old, I developed a very intense and frightening fantasy. I imagined myself in the middle of the ocean, swallowed by endless fathoms of water. My feet firmly rooted on land, I longed to drown.

At the time, I assumed I was suicidal. After all, I was sleep deprived, overwhelmed, and sucked dry; if I was so desperate to drown, it could only mean that I was already drowning. The idea that I might want to die—especially now that I was a mother to an infant whose entire life would be shaped by my desires for life or for death—panicked me to the bone. I felt like Odysseus lured by the mellifluous Sirens; I needed to be tied up for my own good. Eagerly, I accepted the diagnosis of postpartum depression, plunged even deeper into my therapy, and began to climb out of all that water with my writing.

Two years later, rested and reasonably sane, I find myself drawn once again to water. The fantasy is more detailed this time and in these details, more compelling. I am on the beach, at the very edge of land and water. I stand with my arms outstretched so that I form a cross. I know I will dive in, and when I do, the currents will overtake me. I will be sucked under and tossed around like an ordinary shell. It will hurt—maybe maddeningly so—and I won’t know if I’ll ever come up for air. I will be alone, I will be helpless, and I will be blind. It will be exactly like being born.

If I’m able to surrender to this fantasy, it will be the first time I’ve ever experienced birth. I’ve raged against life since the womb, when I obstinately refused to enter the birth canal and had to be surgically removed through my mother’s belly. A part of me has always remained behind, waiting for the game to be over. And then Jack came along and urgently dove into life so hard and fast I thought I was going to die. Now, I’m standing at the most important crossroads of my life. I can choose birth or one of several forms of death. My parents chose death. Their parents chose death. Jack, so far, seems to be choosing life. What will I choose?

I think I already know. After all, there is all that water and it’s very close now. But diving in means leaving the beach and there are certain things I’m not yet ready to give up. There are my parents who will never know the feel of water on their skin even when they’re right up next to it. There is the rage of all that is not just and right. There is the guilt of surviving the unsurvivable. Eventually, I’ll have to let all of these things drift away, because that water keeps coming back, even when I will it away. Eventually, I’ll have to untie the ropes and surrender to all those screaming Sirens.

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Out

adam-lambert21My recent fascination with Adam Lambert has made me think a lot about what it means to come out. While there remains a lot of debate about his sexual orientation, I’m not sure there’s much ambiguity. Adam has stated publicly that kissing girls is not his thing, has referred to past relationships with boyfriends, and when asked about photographs that show him making out with men said that he’s “an honest guy” and “has nothing to hide.” While he certainly hasn’t held a press conference declaring his sexual orientation (and to my understanding, none of the other contestants have either), he declares Harvey Milk—a huge proponent of the power of coming out—as his personal idol, and when a TMZ reporter recently made a most humiliating attempt to stammer through the topic of Adam’s sexual orientation, Adam practically dared him to ask the question. If Adam is at all reluctant to discuss the subject, I am confident that it is not out of insecurity or shame—quite the opposite. I think he is so confident in his identity that he doesn’t feel the urgency to indulge a question that shouldn’t have been asked in the first place.

While I don’t think that it is appropriate to ask a singing contestant about his or her sexual preferences when the same question (or related ones) aren’t asked of every other contestant, I do have to admit that I find a lot of inspiration in the fact that I do believe Adam to be gay and—more to the point—proud of it. I would even go so far as to argue that a large degree of the intrigue about his identity is born less from bigotry and more from envy. Adam exudes more unconditional love toward himself than most of us can muster toward another person, let alone ourselves—this, all while being a self-proclaimed misfit. Considering his role as oddball nonconformist, shouldn’t he be topping off a song like Mad World with a swan dive off a tall bridge? Instead, he stands firm in weathered cowboy boots, looks Simon in the eye without blinking, and humbly laughs off the suggestion that his non-country take on Ring of Fire is “pure rubbish.” That kind of self-love is a gift of indescribable proportions, and I envy it.

Adam inspires me not because he is openly gay, but because he is open. The immensity of his self-love comes from owning every aspect of his identity—nuances that extend far beyond whether he’s turned on by girls or guys, blondes or brunettes. Typically, coming out refers exclusively to the issue of sexual orientation, and yet sexuality is obviously just one component of anyone’s total self. Yes, Adam is out as a gay man, but he’s also out as a person confidently embracing every aspect of his mainstream and non-mainstream identity. Perhaps this is why there remains so much buzz about whether or not the guy is officially out. Whenever we hear that someone is coming out, we prepare the microphone. We expect a statement, a stand—maybe even an apology. With Adam, all of this hoopla seems sort of unnecessary. After all, he spends every moment in front of the microphone; his life is the statement.

Whether it’s from Adam’s example or just the arrival of the next big wave, I’ve been feeling an urgency to come out, too. Certainly, what I have to proclaim isn’t nearly as news-worthy as Adam’s ascent into the epicenter of pop culture, or nearly as defined as an issue of sexual orientation. But like Adam, I’m trying to get a hold on what it means to be me in this world I inhabit. As always, it comes down to issues of choice—not the kind that we check off on paper ballots, but the kind that emerge from such great depths they sometimes don’t feel like they’re up to us to make. They’re the choices we do not select so much as own. They’re the choices that at once change everything and—if we’re honest with ourselves—remain as irrefutable as destiny. Who am I and what do I prefer? Can I accept these choices? Can I accept and love myself?

Mad World

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Red Pill

poi_circlesI’m a huge fan of The Matrix, especially when it comes to its take on choice. Early in the movie, Morpheus presents Neo with an irreversible decision: take the red pill and learn the truth about the Matrix, or take the blue pill and remain blissfully ignorant. For Neo, who has been searching for the truth about the Matrix his whole life, it’s an easy decision, and he makes it quickly—perhaps a little too quickly. Morpheus warns him, “Remember, all I’m offering is the truth. Nothing more.” As soon as Neo chooses the red pill, his body begins a dangerous and painful transition out of the Matrix. The world he knows dissolves, and an entirely new (and bleak) one emerges.

Like Neo, I’m often very quick to choose the red pill. I’m curious by nature and just a little too quick to assume that the truth will set me free. As a result, I’ve spent a lot of years on my analyst’s couch wondering, as Cypher does in The Matrix, “Why, oh why didn’t I take the blue pill?” The more depths I plumb, the more I realize that like Morpheus my analyst is presenting a door, and it is my choice to walk through it or not. He offers me the truth, nothing more. He cannot say what the truth will look like, or how I will receive it, or how it will change my life. He can’t even promise that in knowing it I will be better off.

The better I understand myself—the more truths I uncover—the more I come to experience even the most complicated choices as already cast. In The Matrix Reloaded, the Oracle tells Neo, “You didn’t come here to make the choice. You’ve already made it. You’re here to try to understand why you made it.” According to this frame, destiny is the sum of choices we make based on the essence of who we are. Because we each embody some fixed fundamental nature, the choices that emerge from it are also fixed. They cannot change (even if we want them to) because that would mean going against the very fiber of who we are.

For me, taking the red pill has meant facing the truth that I cannot change my essential nature. I cannot make choices that defy it, even if those choices threaten the very safety of the matrix I’ve created around myself. Some of these choices terrify me. Who will I be? What will I want? Will I tell the truth?

I’ve spent most of my life trying to hide what I know. Repression worked reasonably well for me when I was a lonely kid navigating a parentless world, but now that I’m an adult with a kid of my own, it’s wearing a little thin. The truth always comes out. And anyway, there’s that Oracle whispering in my ear. You’ve already made the choice, she says. Deal with it.

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