Archive for category Skinny Dipping

Sirens

SirensWhen Jack was four months old, I developed a very intense and frightening fantasy. I imagined myself in the middle of the ocean, swallowed by endless fathoms of water. My feet firmly rooted on land, I longed to drown.

At the time, I assumed I was suicidal. After all, I was sleep deprived, overwhelmed, and sucked dry; if I was so desperate to drown, it could only mean that I was already drowning. The idea that I might want to die—especially now that I was a mother to an infant whose entire life would be shaped by my desires for life or for death—panicked me to the bone. I felt like Odysseus lured by the mellifluous Sirens; I needed to be tied up for my own good. Eagerly, I accepted the diagnosis of postpartum depression, plunged even deeper into my therapy, and began to climb out of all that water with my writing.

Two years later, rested and reasonably sane, I find myself drawn once again to water. The fantasy is more detailed this time and in these details, more compelling. I am on the beach, at the very edge of land and water. I stand with my arms outstretched so that I form a cross. I know I will dive in, and when I do, the currents will overtake me. I will be sucked under and tossed around like an ordinary shell. It will hurt—maybe maddeningly so—and I won’t know if I’ll ever come up for air. I will be alone, I will be helpless, and I will be blind. It will be exactly like being born.

If I’m able to surrender to this fantasy, it will be the first time I’ve ever experienced birth. I’ve raged against life since the womb, when I obstinately refused to enter the birth canal and had to be surgically removed through my mother’s belly. A part of me has always remained behind, waiting for the game to be over. And then Jack came along and urgently dove into life so hard and fast I thought I was going to die. Now, I’m standing at the most important crossroads of my life. I can choose birth or one of several forms of death. My parents chose death. Their parents chose death. Jack, so far, seems to be choosing life. What will I choose?

I think I already know. After all, there is all that water and it’s very close now. But diving in means leaving the beach and there are certain things I’m not yet ready to give up. There are my parents who will never know the feel of water on their skin even when they’re right up next to it. There is the rage of all that is not just and right. There is the guilt of surviving the unsurvivable. Eventually, I’ll have to let all of these things drift away, because that water keeps coming back, even when I will it away. Eventually, I’ll have to untie the ropes and surrender to all those screaming Sirens.

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Skinny Dipping

adamlambertI love REM’s Night Swimming, but I’ve never ever bared all. It’s not that I’m morally opposed to getting naked, or so vain that I need to hide behind my clothes. No, it’s not the exposure that scares me onto the sidelines. Passion is the problem. What if I like the experience a little too much?

Passion might seem like an odd obstacle. Who doesn’t want to feel excited, titillated, over the moon thrilled? But feeling passion also means feeling alive, and alive can be torturous sometimes. It’s like natural childbirth: amazing and beautiful and really freakin’ hard.

Recently, I was stunned silly by passion. I was watching American Idol—which I only ever watch casually—and I stumbled across the most magnetizing persona I’ve ever encountered. I say persona, because what I find most tantalizing about this guy is his ability to constantly and seamlessly reinvent himself. He is such a chameleon, I never feel like I can pin down his essence, and yet I am equally confident that he knows exactly who he is. It is this uncanny ability to at once stay true to himself and yet always elude his audience that has my system running on overload. The feelings he inspires in me are unsettling and sometimes downright unmanageable. Often, I can’t even name them. All I know for sure is that whenever Adam Lambert is on stage, I feel like he’s sending me a very personal message: take off your clothes and dive in.

What would I be diving into? The ocean Adam offers is breathtakingly expansive and terrifyingly deep. Everything about him, from his three-octave range to his exuberant lifestyle to his fearless risk-taking, is over the top. When asked about his experiences living in the Idol mansion, he was the only contestant to not complain about its massive scale. Whereas others would retreat to the safe confines of a closet, he takes on spaces so big, so vacant, the world seems almost too small to contain him. He is, undoubtedly, the spokesman for limitless potential.

What catapults this potential into the immortal realm, however, is Adam’s seemingly endless bravery. While most of us squander what little power we embody, Adam embraces every ounce of his vitality with the same unadulterated delight with which you can imagine him eating his favorite flavor of ice cream. The boy just does not flinch. Because he doesn’t flinch, he never seems to stand still, even when facing down a behemoth like American Idol; always, he moves forward, riding each new wave so fearlessly you have to wonder if he’s leaving the thought of drowning to the rest of us poor mortals.

My friend, Rebecca, says that the hardest part of writing a blog is walking a really fine line between honesty and self-indulgence. I’ve never been good with walking any line, and I’m especially bad at falling off. Adam Lambert doesn’t seem to worry about lines. If he did, he would have had no choice but to sing Johnny Cash’s Ring of Fire straight up and dry. On stage and off, he seems to embrace life with a kind of fearless authenticity he makes seem as effortless as those notes he scales. I want to discover that authenticity in myself. I want to live without regrets.  But that means tripping over a whole bunch of lines. That means maybe even indulging in the self.

My guess about Adam is that he exudes so much power so fearlessly because he lets himself evolve. Key to evolving is the capacity to make choices. Adam’s fellow contestants have taken to calling him the Lamborghini, because he’s known for making song choices swiftly, and once he makes a choice, he races forward and never looks back. This isn’t to say that he doesn’t learn from his mistakes. Clearly, he understands the consequences of each decision. But while learning, he never laments. And in making these choices, he encourages his audience to take similar risks. Every time Adam refuses to play it safe, or fit in with the crowd, he reminds us that we have choices, too. And every time we come along for the ride—every time we show our faith in his risks—we declare ourselves decided. We choose. We evolve.

Will I ever be worthy of the words commonly used to describe Adam: fluid, brave, authentic? In my endeavor to evolve, Adam inspires me. He also unsettles me. I can only hope that the passion I feel waiting for every week’s performance is a sign of change.

This is a start. I’m taking off my clothes. One toe is in.

Ring of Fire

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