Final Destination

Final Destination (plane)While in Wellfleet, I learned two very valuable lessons. First, riding a bike is not always as easy as…well…riding a bike. That means it’s a wise choice to wear a helmet if you’re planning to soar down steep hills on sandy pavement. Unfortunately, I’m not so wise. Second, if you’re going to be strapped down on a stretcher and immobilized in a neck brace for several hours, think twice about chugging that second bottle of water before catapulting over your handlebars.

In my case, I was fortunate to suffer more dearly from the second miscalculation than from the first; by some lucky stroke of fate, my left cheekbone and right wrist took most of the impact, shielding my more tender brain matter from permanent breach. As a result, I survived what could have been a life-ending accident with a swollen face, a renewed sense of life’s (and death’s) urgent claim on my soul, and a very dire need to pee. The painful conundrum presented by this last outcome cannot be understated. Trust me: after you’ve beaten the Grim Reaper at a hand of poker, the last thing you want to do is wet yourself on the gurney.

For the record, I didn’t wet myself. I sure did worry about it, though. Never in my life has my bladder screamed so urgently. Politely, I complained first to the EMT, and then to the doctor who evaluated me, and then to the nurse who registered me, all while staring up at a white ceiling, trapped in the very narrow world of stretcher straps and neck braces.

“I understand I might have a spinal injury,” I told them. “But I really need to pee.”

The EMT was the most understanding. During our hour-long ride from Provincetown to Hyannis, he told me he had to pee, too. He and his partner had received the call just when he was about to step into the john, so he understood my pain. Unfortunately, his empathy ended as soon as he rolled me onto the hospital parking deck; gleefully he announced he could finally relieve himself. My own raging bladder would have to wait another two hours.

In the hospital, a nurse told me I could pee into a towel if necessary. I refused. Instead, I let myself panic about the endless minutes left until I would be freed from my trap and allowed to seek asylum in the nearest bathroom. After all, it’s much less maddening to fear the humiliation of soiled underwear than a bad spot on a CAT Scan. If pissing my pants was the worst I had to fear, then it meant I had successfully beaten the odds, won that poker hand, and fulfilled the promise I’d made to Jack when leaving for my ride. I would come home to him. For a while longer, he would enjoy that fundamental delusion so necessary for a child’s development: Mommy will never die.

When I was the age Jack is now, I almost died from the parasite that made its home in my gut. While I was too young to have any conscious concept of death, I have absolutely no doubt that I understood the weight of what I faced back then. The line between life and death is as palpable as any other door; I felt it open then, as I did in Cape Cod. When that door first opened all those years ago, the usual fantasies we all co-create (immortality, eternity) shattered, and I’ve been fleeing death like an escaped convict ever since. It’s been awhile since I saw the movie Final Destination, but its premise still haunts me. Is it really possible to cheat death? And if we do, does it come back to play another round again and again and again?

There are so many opportunities to die and not nearly enough to live. The lessons I learned from that first trip in an ambulance are still brewing like really rich tea. For now, while they steep, I’m concentrating on just one glorious fact: I get to pee.

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True Blood

True BloodOn Friday, we’ll load up the car with two weeks worth of can’t-live-without essentials and head north to Wellfleet, Massachusetts for our annual Cape Cod pilgrimage. For me, a New Englander by birth, this trip is like returning home. For that reason, it’s always a tricky mix of heaven and hell: half Fountain of Youth serum, half poison.

Last year, the seven-hour drive morphed into a kind of psychological labor much more torturous than my physical delivery of Jack. Early in the trip, I began experiencing panic attacks so intense it felt like my psyche had been drawn and quartered. None of my usual coping mechanisms (yoga, deep breathing, talk therapy) made the smallest dent in my anxiety. My soul hurt. And unlike its physical counterpart, this psychological labor promised no visible end. I couldn’t even beg for an epidural.

A year (and much therapy) later, I finally understand the root of this hurt. To understand it, I’ve had to rewind to one of my earliest childhood traumas: a one-week cross-country trip to Colorado that forever altered the course of my life. When I was 2 ½ years old—the age Jack is now—my otherwise obsessive parents sold their house, packed all of their belongings in storage, and headed west for the fresh start they both desperately needed. They left on a Monday morning and by Saturday arrived back in New Hampshire, homeless, unshowered and crazy-drunk on coffee and fear. They’d spent exactly two hours in Colorado before my dad had swung the car around and headed back east.

If my parents had been able to successfully negotiate the emotional hurdles of that trip, perhaps Colorado could have become a kind of pristine Wellfleet for our family. Instead, my parents fled, and when they did, skewered every last hope and dream. Meanwhile, I returned to my birthplace gestating a parasite I’d picked up in a cup of truck-stop water; for the next year, I slipped in and out of hospitals, where I vomited little chunks of blood and wasted away to my infant weight. For both body and soul, that trip and its aftermath were violent assaults. Lately, Jon and I have become obsessed with Alan Ball’s most recent foray into the dark, True Blood, and whenever Sookie is showered by yet another blood bath, I flash to my toddler self screaming in a car.

Last year, I tried to vacation the way I envision Normal People vacation. I packed up my favorite belongings and in the company of my two favorite people (my husband and my son) headed to a beach I find beautiful and serene. On that soul-rending car ride, I discovered two truths. First, I am not Normal. I am still somewhat blood-covered, and it will likely take awhile yet to wash out all that red. Second (and herein lies my hope): that optimistic, joyful little girl who climbed into a car setting off for Colorado is not dead. She is alive and full and eagerly on standby—so much so, I regressed into her toddler psyche in that seven-hour car ride last year. I felt her desperation, her debilitating helplessness…her despair. I’ve never been very religious, but in feeling her pain, I suddenly understood what it means to feel forsaken by God. On that trip all those years ago, she gave up on life. Three decades later—trapped in the body of an adult, a mother—she wants a second chance.

I’m terrified of this year’s trip. Friday symbolizes both the first day of vacation and the first step back into hell. I’m terrified to feel the return of all that blood. And yet blood—gory and morbid and horrifying—is also the source of life. I want to live. I want that toddler girl to live. My parents never made it to Colorado, but my journey isn’t over. I carry vital tools in my suitcase, and my companions are good and true. One day—soon, I hope—I might just make it all the way to the heavenly side of Wellfleet.

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The Real Reason I Became a Mother…

vacuum

Dishes

Grocery Shopping

Stocking

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Field of Dreams

Field of DreamsIf I build it, they will come.

Some weeks, like this one, it takes a lot of effort to build. Certainly, I have enough excuses to avoid the effort. The words I fill here steal from a well that supplies my book, and of course, there is always the question of time: never enough, too much. Mostly, though, the main required (and sometimes lacking) fuel is faith.

Ray Kinsella was never short on faith. He had a family to support, a farm the bank threatened to seize, and yet he upheld as ultimate truth a lone voice whispering in a cornfield. In the beginning, he didn’t know what to build or who would come. In the beginning, all he had was faith.

Who do I think will come? Certainly, there are the legions of fans that have not yet rounded the bend and illuminated my night sky with their headlights. Those headlights would be nice to witness. But Ray Kinsella didn’t set out for headlights or ticket fees. In the beginning, he wasn’t even looking for salvation. He simply had an itch: an urge to listen, an urge to follow a voice, an urge to mow down his corn and build something that didn’t belong.

Probably, if I were honest, I’d change “they” to “she.” If I build it, she will come. Out there, lost in a cornfield far away from the farmhouse I live in with my husband and toddler is another toddler. She is tired, overworked, and a little unclear about her place. Like Shoeless Joe, she has been banned from the game and has nowhere to play. If I mow down my acres of corn—the livelihood that keeps the roof over my head and the food in my mouth—she will come. But do I want her to come?

Recently, I’ve been feeling the emergence of baby fever. I’m nowhere near ready to conceive again, but I do feel the urge to create a new life. Better yet, I’m no longer starry-eyed with visions of cheerful babies playing peekaboo; I know what an unruly and ugly monster life can be. I’m beginning to wonder if that new life—that sibling for Jack—might already exist in a cornfield nearby. Can I build what she needs? And if I do, will she play? I have learned this from Jack: Out of play, possibility emerges. From possibility comes faith. And yet I need faith to spark her play. She is scared. I am scared.

My favorite moment from Field of Dreams is when young “Moonlight” Graham crosses the field to save Ray’s daughter from choking. As soon as he steps over the magic threshold, he transforms into the older version of himself, “Doc” Graham, and can never return to the protected play space Ray created. Ray apologizes profusely, but Doc seems resigned to his choice. He is a baseball player and a doctor, after all.

Who was I and who have I become? What dreams am I willing to trade? Do I have the stamina to listen, to build, week after week after week? If I build it…what will come?

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Birches

BirchesIn college, a favorite old and sometimes cynical professor used to say that the poet Robert Frost was an atheist who spent most of his time arguing with God. I liked this about Frost. I’d already acquired an affection for Wallace Stevens, but his soul was much too tranquil for my taste. He’d long given up wishing for what would never be, and so his poetry quickly became the benchmark for what I’d like to grow into after a few more reincarnations. In contrast, Frost—self-tortured and combat-hungry—was the reality of my Now.

I’ve traveled far since the days of those seminars, when I feverishly scribbled notes about the lives and motivations of two poets I’ll never meet in the margins of two pristine poetry anthologies. I was a little too cocky back then. Sadly, I was far too impressed by my own knowledge to appreciate how much suffering comes from trying to convince God he doesn’t exist—or from trying to convince one’s self that he does. Today—older, wiser, and a little less cynical—I realize I’m more like Frost than I ever knew. And in this affinity—in this very conflicted affection—I feel the depth of his heart, and mine.

Lately, I’ve found myself coming back to Frost’s treatise on wishing: Birches. Whether it was too nostalgic or simply too popular, my professor never assigned Birches; in my dog-eared anthology, it remains one of the few poems untouched by pen. Only recently, after becoming a mother to a boy, did I finally read it from start to finish. Now, every time I give it a read, I feel “Up to the brim, and even above the brim.” There is so much I could say about that poem and the odd combination of yearning and contentment it always sets off in me like lightning bugs in spring. My words don’t flow as easily as Frost’s, though. Instead, I feel saturated by that bittersweet hunger that comes with loving everything that will eventually be lost.

On the horizon are several casualties of time and evolution. In a few days, my parents will leave again, and the ephemeral safety of local grandparents will evaporate like New England morning fog. In the fall, Jack will change schools and leave the first friends he (and we as parents) ever made. Come this spring or next, we will move out of the house we’re renting (the first house I’ve made a home) and buy a new one. Like Frost, I am level-headed enough to understand that these changes are necessary threads in nature’s larger fabric. But I’m also a swinger of birches. I romance what could be and resist what is. Perhaps one day my soul will relax, and I will sip tea with Wallace Stevens on a lovely spring afternoon and celebrate the impermanence of all things beautiful. And yet, like Frost, there is a part of my heart that resists such a heaven.  I do not yet know how to love without ache. I have yet to find peace with God or with myself. But I feel better knowing that life and love share residence with a poem like Birches. In those blood-rich words—spliced together with as much complicated precision as the valves of a heart—I find God. And for the first time, I don’t feel like telling him he doesn’t exist.

BIRCHES

When I see birches bend to left and right
Across the line of straighter darker trees,
I like to think some boy’s been swinging them.
But swinging doesn’t bend them down to stay.
Ice-storms do that. Often you must have seen them
Loaded with ice a sunny winter morning
After a rain. They click upon themselves
As the breeze rises, and turn many-colored
As the stir cracks and crazes their enamel.
Soon the sun’s warmth makes them shed crystal shells
Shattering and avalanching on the snow-crust—
Such heaps of broken glass to sweep away
You’d think the inner dome of heaven had fallen.
They are dragged to the withered bracken by the load,
And they seem not to break; though once they are bowed
So low for long, they never right themselves:
You may see their trunks arching in the woods
Years afterwards, trailing their leaves on the ground
Like girls on hands and knees that throw their hair
Before them over their heads to dry in the sun.
But I was going to say when Truth broke in
With all her matter-of-fact about the ice-storm
(Now am I free to be poetical?)
I should prefer to have some boy bend them
As he went out and in to fetch the cows—
Some boy too far from town to learn baseball,
Whose only play was what he found himself,
Summer or winter, and could play alone.
One by one he subdued his father’s trees
By riding them down over and over again
Until he took the stiffness out of them,
And not one but hung limp, not one was left
For him to conquer. He learned all there was
To learn about not launching out too soon
And so not carrying the tree away
Clear to the ground. He always kept his poise
To the top branches, climbing carefully
With the same pains you use to fill a cup
Up to the brim, and even above the brim.
Then he flung outward, feet first, with a swish,
Kicking his way down through the air to the ground.
So was I once myself a swinger of birches;
And so I dream of going back to be.
It’s when I’m weary of considerations,
And life is too much like a pathless wood
Where your face burns and tickles with the cobwebs
Broken across it, and one eye is weeping
From a twig’s having lashed across it open.
I’d like to get away from earth awhile
And then come back to it and begin over.
May no fate wilfully misunderstand me
And half grant what I wish and snatch me away
Not to return. Earth’s the right place for love:
I don’t know where it’s likely to go better.
I’d like to go by climbing a birch tree,
And climb black branches up a snow-white trunk
Toward heaven, till the tree could bear no more,
But dipped its top and set me down again.
That would be good both going and coming back.
One could do worse than be a swinger of birches.

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I Want to Believe

i-want-to-believeI’m terrified of flying. Very likely, this is the reason I haven’t stepped foot on a plane in the last decade. I used to be pretty good at flying, on planes or otherwise. I’d close my eyes and dive forward, into open air. Those were the days when I was pretty good at swimming, too. I never cared about freefalling back then. Or maybe I cared so much I couldn’t contemplate the fall.

I’m about to step into open air. The cliff I’ve been standing on is starting to give way, and anyway, my feet are itching for a change. They’ve been cooped up, stranded, left-behind for some time now. And I have this little boy constantly dancing around me, daring me to join the hurricane swell that is his life. What can I do? What choice do I have but to leap?

Of course, I have many choices. I don’t have to leap. I could stand still. I could fall. I could fly. Perhaps it’s not so much a matter of choice as it is a matter of faith. Neo doesn’t become the chosen one until he believes he’s worthy of being chosen. Am I worthy? Like Mulder, I Want to Believe. Oh, but what tricky, fragile feathers faith and belief can be! I can’t just “buy some” as Jack would have me think. I can’t order them up at a diner counter or glue them to my arms like a child’s art project. Faith comes in steps, not in leaps…and then, suddenly, you’re leaping. You’re flying without even realizing that you’ve left the ground. This is what’s so amazing about faith: it’s only a burden to carry when you’re not actually carrying it.

Last week, while Jack and I stared up at yet another plane that had captured his fancy, I found myself saying, “Isn’t it amazing that they don’t fall down?” Jack ignored me, and I’m glad he did. I hope his faith is so much stronger than mine that he can ignore my moment of faltering. I’d feel terrible if he tucked that nugget away and pulled it out later as full-blown doubt. After all, he is worthy. I suppose if he does remember my doubt, I’ll have the advantage of life on my side. By then, I’ll have taken a few more steps and seen a few more planes. By then, I hope to have learned that planes don’t fly by magic but by a series of physical laws. We fly in stages, I’ll tell him, not just by sheer will. I know these truths as fact. One day, I hope to believe.

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Confessions of an Imperfect Mommy: Parts I and II

When Jack sees his first analyst in say twenty years or so, I’ll try to provide him with a list of his childhood traumas. I hope that will save him some time (and money).

1. When Jack was 2.5 years old, his mommy and daddy took a vacation at home and (eeks!) didn’t tell him. While he worked hard at school, we secretly played!

2. When not lobbying for healthy school snacks, Jack’s mommy fed him nutritious meals at home like this one:IMG_6495

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Live for Real

Jack's First 3-6 mos - 493_2On Saturday night, while driving a route Jon and I traveled many times while I was pregnant, I rediscovered a song that nearly wore out my iPod when Jack was six months old. Back then, Jack was on constant sleep strike, and music seemed a safe alternative to a horse tranquilizer. This song in particular—“Live for Real” by K’s Choice—seduced our manic Gremlin night after night while we frantically drove him through low-lit streets and ran red lights, terrified of stopping. These roving concerts became so routine, I quickly turned deaf to my favorite music. Lyrics that once seemed profound became nonsense words, and tunes that first seduced my ear plucked at my nerves as torturously as Jack’s cries. More than anything, I hated my dependency on music. I hated that its cure felt like a return of air. I hated that it sometimes wasn’t a cure at all.

Evidently, all of those drives hardwired “Live for Real” into Jack’s brain, because he remembered the song two years later. As usual, he sat in the back, armed with Mr. Bear and his favorite pacifier, only now his seat faced forward, and I’d upgraded my ticket to the front. Before rediscovering K’s Choice, I shuffled through our more recent playlists not expecting—or needing—Jack to fall asleep. Soon I became bored, and while Jack chatted about the various cars crossing our path, I began a trek through the past. First, I discovered Putumayo’s Dreamland, my main source of human connection during those very first weeks of repetitive nursing marathons. For the first time in two years, I could hear the opening bars of “Naïma” without hallucinating the incursion of a rabid baby’s suck. A few albums later, when I found my way back to K’s Choice, Jack clapped. “This is a sleepy song,” he said. He closed his eyes, hugged Mr. Bear, and before I could wish him a good night’s rest, fell fast asleep.

In two weeks, Jack will turn two and a half. Already, we’ve traveled so many miles and worn out so many songs together. Jon and I have discarded expectations more quickly than Jack can soil diapers and have reinvented our family more frequently than Jack can grow. Considering the extent of these renovations and the journeys we’ve already logged, I’m surprised to discover how poorly I keep track of the shifts in scenery. It isn’t until I travel a lost road or happen upon some blatant marker of time that I note the changes. And yet there are so many differences between the old and the new—between the then of Jack’s babyhood and the now of his toddlerhood. Friends who haven’t seen him in awhile remark on the magnificent changes in him. Harder to see—and yet maybe even more stark—are the changes in me.

IMG_5979_2By the time we decided to conceive Jack, I had logged in so many hours on my analyst’s couch, I naively assumed I’d mastered the old demons and was absolutely, 100%, no-doubt-in-the-world ready to leave my mark on a child. This overconfidence alone should have been my first warning sign of impending doom. No matter—as soon as very big Jack barreled through what suddenly felt like a very narrow birth canal and hurdled into the world wailing like a Screaming Mandrake, I felt the true vastness of hell. I couldn’t sleep because he couldn’t sleep, and worse, I couldn’t find a way to nourish myself because he constantly needed nourishment. Most excruciating were the terrible growing pains of a heart doubled in size. I didn’t know what to do with all my new love. Sometimes, Jack shined so bright my eyes ached. I was a kid fed mountains of cotton candy and Jolt and then thrown about on amusement park rides while electronic dance music blared in my ears. Often, I felt close to throwing up. In those early months, nauseatingly drunk on love and overwhelmed by funhouse mirrors that reflected back just how far I was from ever becoming the mother I’d envisioned, I sometimes worried I’d made a mistake. It wasn’t that I ever regretted giving birth to my radiant Jack; I just wasn’t sure I could give birth to myself.

Before Jack, I could skirt around the edges of life and flirt with possibilities that never needed to come true. And then Jack was here and he needed a guide. How could I give him life if I wasn’t fully alive? As I saw it, I had two choices: I could surrender to the hell of birth—my own birth—or else watch my screaming-for-life baby slowly die. Until recently, I didn’t realize that I’d actually made a choice. And then we were driving that old road and listening to an old song and my very alive toddler boy was soothing himself to sleep and I realized two groundbreaking years had passed. Across that time, I had made an important series of choices. I’d taken one step, and then another, and then another. Listening to that song we’d nearly worn out all of those months back, I realized I could hear the lyrics again. My ears were back—clearer, even. My eyes no longer hurt. Thanks to Jack—and yes, thanks to my own courage—I no longer have to worry about my heart outgrowing its shell. Somewhere along the journey through hell, I found a way to finally Live for Real.

Live for Real

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Flightless Bird

If I could set my life to music, I’d play an endless loop of Iron and Wine’s “Flightless Bird, American Mouth.” My favorite lines in that song open the second verse: “Then when the cops closed the fair/ I cut my long baby hair/ and stole me a dog-eared map/ and called for you everywhere.” By my ear, this song laments the death of innocence. And according to this song, it’s a very long, drawn-out death. So long, in fact, it takes a lifetime to travel.  wizard of oz

For a long time now, I’ve known that the fair is closed, and yet I still crave the same old maps in hope that the things I’ve lost can be found again. Then, on my 36th birthday, I realized that the fair I’d been wistfully trying to resurrect was yet another wizardly machination. It turns out that Dorothy’s ruby slippers are a hoax. No matter how many times I click my heels, I will never go home again.

The grief of this epiphany hit me last week on a trip down the turnpike to the City of Brotherly Love, where we planned to celebrate another year of life come and gone with the usual fine food and birthday candles. Philadelphia was kicking off its annual weeklong celebration of the nation’s birth with fireworks—as fitting a way as any to set my own celebration of birth and life ablaze. After all, I’ve been seeking my own independence for some time now. We crossed over the state line and saw the city skyline peeking over the horizon. In the backseat, Jack wrestled with the straps of his car seat, trying to break free. Suddenly, on the radio, some announcer declared the death of the King of Pop. And just like that, the Wizard of Oz peeked out from under the curtain, scrawny and scared. On my birthday—the one day each year that still reduces me to a four-year-old girl—Michael Jackson, the pop icon of my youth, died.

Ever since Thursday, the radio waves have been clicking a nation’s worth of ruby slippers in hope of returning all of us to the exuberant 80’s, a time I remember so well as my childhood. Those were the years before all of the weirdness and all that talk of terrible things behind closed doors. Those were the years of my Neverland—when I still had my long baby hair and the fair still seemed as real as my own skin.

After I heard the news of Michael Jackson’s death, I didn’t feel much like celebrating. The Boy Who Wouldn’t Grow Up had lost his wings. Surely, most would argue that he lost them a long time ago. But the death of innocence is a long journey. So long, in fact, I’m still making the flight.

Flightless Bird

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Hunger

Little Shop of HorrorsI used to think that stagnation was my biggest enemy. I’ve witnessed so much death I assumed the grim reaper was more powerful than the giver of life. Then life proved me wrong. Last week, two separate experiences catapulted me out of my solipsistic bubble of personal hunger and into the more powerful magnetism of mass starvation. Ever since, I haven’t been able to cleanse my head of images of that human-eating plant in The Little Shop of Horrors. Evidently, life’s voracious appetite is a universal condition.

First—and more benignly—I stumbled across a blog written by Adam Lambert’s younger brother, Neil. I enjoy the talents of both brothers for very different reasons; while Adam’s music is like a refreshingly mind-altering drug, Neil’s writing is a very tasty morning cup of coffee. Clearly, though, not all fans recognize the differences between brothers and have taken to terrorizing Neil like junkies hard for their next fix. Whether it’s that these fans assume they can somehow gain access to Adam through Neil, or they actually believe a shared bloodline makes one a heterosexual twin of the other, these fans are so hungry for attention, they have generated a 300-comment thread so bloodthirsty it makes Madame Defarge’s knitting seem like a child’s art project. Today, Neil finally closed the site to comments, following an announcement titled, “Shut the fuck up, everybody.” As a fellow (if less read) blogger, I feel very sad for Neil. And yet I know that eventually the revolution will move elsewhere, and he will return to calmer, if less populated, poetic pastures. More startling (and enduring) is the feeling of all that hunger. It lingers on my clothes like a nauseating smell I can’t escape. Is my own hunger this greedy? Will I become the next vampire? Oh how dangerously close are the worlds of revolutions and blood-sucking night creatures! And in our desperate culture, both can seem romantic.

Much more devastating is a tragedy closer to home. The lovely tomboy who taught me how to roller skate all of those years ago is now facing a challenge so unique it almost seems fictional. The cause of this tragedy? Simple, terrifying: life demanding its chance. I understand this demand. Lately, I’ve been living it. And because I’m living it, I can feel the threat of all that undigested energy waiting to be released. Living—fully, unpredictably—is a daily gamble. And often—as it is in my friend’s life—it is a fire sparked at a crossroads. We’ve all been there or will one day get there: a doctor finds a lump, or a deer locks eyes with us as it darts across the road. How will we handle such a moment? In which direction will life grow?

That plant in The Little Shop of Horrors—Audrey, Jr.—wasn’t evil. It just wanted to live. We all deserve that chance at life. We all deserve a fresh meal. What I’ve learned this week is that life can’t help itself but grow. What shape that life will take is the only real variable. At any given time, any one of us can grow into a blossoming magnolia or an Audrey Jr. What shape will my own growth take? At the moment, my choices seem laughably innocent. If I choose wrong, I will either miss the opportunity to love a second child, or else regret a child who was conceived too early. I will either write the wrong thing and have to retract, or else face the regret of a voice silenced too broadly. None of these fates are the worst that could come. No, life has much darker branches than these.

Neil, take heart. The hunger will eventually subside. The rioters will find a different street. In their wake, you’ll certainly find enough loyal and enduring companions for your journey.

And to my dear friend, who has saved me on more occasions than I can count: life comes in waves. I’ve seen you swim. And when you can’t, there are lifeguards all around.

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